{"id":1843,"date":"2025-03-18T18:54:14","date_gmt":"2025-03-18T17:54:14","guid":{"rendered":"https:\/\/kinocubecinema.com\/?p=1843"},"modified":"2025-03-18T19:23:47","modified_gmt":"2025-03-18T18:23:47","slug":"cronica-da-20-mice","status":"publish","type":"post","link":"https:\/\/kinocubecinema.com\/index.php\/2025\/03\/18\/cronica-da-20-mice\/","title":{"rendered":"Cr\u00f3nica da 20 MICE"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1843\" class=\"elementor elementor-1843\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-a2c034b e-flex e-con-boxed e-con e-parent\" data-id=\"a2c034b\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5aa69a6 elementor-widget elementor-widget-text-editor\" data-id=\"5aa69a6\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 10-04-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>Este ano dimos unha volti\u00f1a pola 20\u00aa edici\u00f3n da MICE, a Mostra Internacional de Cinema Etnogr\u00e1fico que o <a href=\"https:\/\/museodopobo.gal\/gl\">Museo do Pobo Galego<\/a> celebra en Compostela cada ano, un encontro de cinematograf\u00eda e etnograf\u00eda que convoca a cineastas de todo o mundo, sempre con perspectiva de x\u00e9nero e con identidade de seu.\u00a0<\/p><p>Imos facer unha cr\u00f3nica un pouqui\u00f1o especial para contarvos que foi o nos gustou m\u00e1is desta edici\u00f3n. E agardamos xa con impaciencia a n\u00famero 21!<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b91cec5 elementor-widget elementor-widget-heading\" data-id=\"b91cec5\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 10-04-2024 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h3 class=\"elementor-heading-title elementor-size-default\">O carro e o home, 85 anos de cinema e etnograf\u00eda en Galiza<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f37af40 elementor-widget elementor-widget-image\" data-id=\"f37af40\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 10-04-2024 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"800\" height=\"600\" src=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2025\/03\/IMG_20250313_165233b-1024x768.webp\" class=\"attachment-large size-large wp-image-1865\" alt=\"\" srcset=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2025\/03\/IMG_20250313_165233b-1024x768.webp 1024w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2025\/03\/IMG_20250313_165233b-300x225.webp 300w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2025\/03\/IMG_20250313_165233b-768x576.webp 768w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2025\/03\/IMG_20250313_165233b-1536x1152.webp 1536w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2025\/03\/IMG_20250313_165233b-2048x1536.webp 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b51198d elementor-widget elementor-widget-text-editor\" data-id=\"b51198d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul><li><i>O carro e o home<\/i> (Antonio Rom\u00e1n, 1940 &#8211; Xoaqu\u00edn Lorenzo &#8220;Xocas&#8221; e Eloy Lozano, 1980)<\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1708566 elementor-widget elementor-widget-text-editor\" data-id=\"1708566\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>O Carro e o Home\u00a0<\/em>\u00e9 un deses fitos dos que temos destacado nesta bit\u00e1cora. Falamos dun dos primeiros filmes galegos con identidade propia, afastados da exotizaci\u00f3n na que incurr\u00edan as produtoras que aos comezos do s\u00e9culo XX escoll\u00edan Galiza como un plat\u00f3\u00a0<em>pintoresco<\/em> no que rodar.<\/p><p>A alianza improbable entre un cineasta, <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Antonio_Rom%C3%A1n\">Rom\u00e1n<\/a>, na vangarda da s\u00faa \u00e9poca e un etn\u00f3grafo, <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Xaqu%C3%ADn_Lorenzo\">Xocas<\/a>, gardi\u00e1n da cultura e do patrimonio galego, para crear un documental \u00e1 maneira de <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Robert_J._Flaherty\">Robert Flaherty<\/a>, que dignifica o rural, os seus obxectos e os seus habitantes. Unha peza que, m\u00e1is al\u00e1 do seu valor como rexistro dunha \u00e9poca e dun lugar -Lobeira en 1940-, \u00e9 unha peza fermos\u00edsima en todos os sentidos.\u00a0<\/p><p>O que se puido ver na sesi\u00f3n inaugural da 20 MICE foi a restauraci\u00f3n da peza orixinal, que en 1980 foi recuperada polo propio Xocas e por <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Eloy_Lozano\">Eloy Lozano<\/a>, dotada dunha nova locuci\u00f3n en galego coa voz sabia de Xaqu\u00edn Lorenzo. Introduciuna o acad\u00e9mico e guionista <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Pepe_Coira\">Pepe Coira<\/a>, que ao d\u00eda seguinte levou unha conversa m\u00e1is en profundidade arredor do filme.\u00a0<\/p><p>Agardamos que esta pedra fundacional do cinema galego acade a divulgaci\u00f3n e o reco\u00f1ecemento que merece nos vindeiros anos.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2214128 elementor-widget elementor-widget-heading\" data-id=\"2214128\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Laila Pakalnina, cinema observacional e humor<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b285f9a elementor-widget elementor-widget-image\" data-id=\"b285f9a\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"800\" height=\"600\" src=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2025\/03\/IMG_20250314_191204b-1024x768.webp\" class=\"attachment-large size-large wp-image-1866\" alt=\"\" srcset=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2025\/03\/IMG_20250314_191204b-1024x768.webp 1024w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2025\/03\/IMG_20250314_191204b-300x225.webp 300w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2025\/03\/IMG_20250314_191204b-768x576.webp 768w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2025\/03\/IMG_20250314_191204b-1536x1152.webp 1536w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2025\/03\/IMG_20250314_191204b-2048x1536.webp 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c55d0aa elementor-widget elementor-widget-text-editor\" data-id=\"c55d0aa\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul><li><p><em>\u012asfilma par dz\u012bvi<\/em> (Laila Pakalni\u0146a, 2014)<\/p><\/li><li><p><em>Skurstenis <\/em>(Laila Pakalni\u0146a, 2013)<\/p><\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-091c9c6 elementor-widget elementor-widget-text-editor\" data-id=\"091c9c6\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>A cineasta letoa <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Laila_Pakalni%C5%86a\">Laila Pakalni\u0146a<\/a> visitou a MICE en compa\u00f1\u00eda do seu amigo, o cineasta Eloy Dom\u00ednguez Ser\u00e9n, para repasar a s\u00faa carreira como documentalista e conversar co p\u00fablico nunha das tres sesi\u00f3ns organizadas pola 20 MICE arredor da s\u00faa filmograf\u00eda.\u00a0<\/p><p>Na segunda sesi\u00f3n, acompa\u00f1ada das proxecci\u00f3ns da curta -ben curti\u00f1a- <em>\u012asfilma par dz\u012bvi,\u00a0<\/em>e mais do mediometraxe\u00a0<em>Skurstenis<\/em>, puidemos conversar con ela e albiscar no seu proceso creativo e nas s\u00faas inquedanzas como cineasta.\u00a0<\/p><p>Qued\u00e1monos co seu humor honesto e coa intuici\u00f3n sempre atenta para &#8220;pescar&#8221; historias e convertelas en filmes marabillosos.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bb3c78d elementor-widget elementor-widget-heading\" data-id=\"bb3c78d\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">T\u00e2nia Dinis e Diana Gon\u00e7alves, a conexi\u00f3n portuguesa<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8970ff2 elementor-widget elementor-widget-image\" data-id=\"8970ff2\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"800\" height=\"600\" src=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2025\/03\/IMG_20250314_211702b-1024x768.webp\" class=\"attachment-large size-large wp-image-1867\" alt=\"\" srcset=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2025\/03\/IMG_20250314_211702b-1024x768.webp 1024w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2025\/03\/IMG_20250314_211702b-300x225.webp 300w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2025\/03\/IMG_20250314_211702b-768x576.webp 768w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2025\/03\/IMG_20250314_211702b-1536x1152.webp 1536w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2025\/03\/IMG_20250314_211702b-2048x1536.webp 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2c61df7 elementor-widget elementor-widget-text-editor\" data-id=\"2c61df7\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul><li><em>T\u00e3o pequeninas, tinham o ar de serem j\u00e1 crescidas<\/em> (T\u00e2nia Dinis, 2024)<\/li><li><em>Resonancias <\/em>(Diana Gon\u00e7alves, 2024)<\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-64200cc elementor-widget elementor-widget-text-editor\" data-id=\"64200cc\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>O xoves puidemos disfrutar de d\u00faas fermosas curtas rodadas por d\u00faas cineastas portuguesas, T\u00e2nia Dinis e Diana Gon\u00e7alves, cunha relaci\u00f3n especial con Galiza, coa raia e coa propia Mostra.\u00a0<\/p><p>Producida en Portugal, <em>T\u00e3o pequeninas, tinham o ar de serem j\u00e1 crescidas<\/em> recupera as historias das criadas que marchaban, moitas veces dende moi nenas, a servir nas casas das clases altas do Porto. Historias de servidume, miseria e inxustiza moi a mi\u00fado protagonizadas por rapaci\u00f1as do rural, da fronteira, ou migrantes das antigas colonias portuguesas que soportaban condici\u00f3ns moi semellantes \u00e1 escravitude, das que a\u00ednda hoxe en d\u00eda resoan ecos nos taboleiros de busca de emprego actuais.<\/p><p>E falando de ecos e &#8220;<em>Resonancias&#8221;<\/em>, a curta de Diana Gon\u00e7alves producida en Galiza polo Chanfaina Lab \u00e9 un exercicio moi interesante de exploraci\u00f3n e autoexploraci\u00f3n dunha cineasta que procura f\u00edos e ataduras cun lugar que, de primeiras, lle \u00e9 alleo. Fala tam\u00e9n de migraci\u00f3n, a dos construtores portugueses que foron encargados de embelecer o patrimonio da Marquesa de San Sadurni\u00f1o.<\/p><p>Coma sempre, unha secci\u00f3n oficial chea de sorpresas, conexi\u00f3ns, historias para facer reflexionar e cinema para espertar en n\u00f3s a curiosidade e o amor pola cultura, a tradici\u00f3n, a historia e a etnograf\u00eda.<\/p><p>O ano que v\u00e9n non perderemos a ocasi\u00f3n de volver!<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4014861 elementor-align-center elementor-widget elementor-widget-button\" data-id=\"4014861\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/mice.museodopobo.gal\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-text\">Visita a web da 20 MICE<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Este ano dimos unha volti\u00f1a pola 20\u00aa edici\u00f3n da MICE, a Mostra Internacional de Cinema Etnogr\u00e1fico que o Museo do Pobo Galego celebra en Compostela cada ano, un encontro de cinematograf\u00eda e etnograf\u00eda que convoca a cineastas de todo o mundo, sempre con perspectiva de x\u00e9nero e con identidade de seu.\u00a0 Imos facer unha cr\u00f3nica [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1890,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[189],"tags":[8,301,191,303,302,222,306,305,304],"class_list":["post-1843","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cronicas","tag-cinema","tag-cinema-etnografico","tag-cronica-2","tag-documental","tag-etnografia","tag-humor","tag-laila-pakalnina","tag-pepe-coira","tag-xenero-documental"],"_links":{"self":[{"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/posts\/1843","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/comments?post=1843"}],"version-history":[{"count":28,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/posts\/1843\/revisions"}],"predecessor-version":[{"id":1893,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/posts\/1843\/revisions\/1893"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/media\/1890"}],"wp:attachment":[{"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/media?parent=1843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/categories?post=1843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/tags?post=1843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}