{"id":1624,"date":"2024-10-15T20:00:00","date_gmt":"2024-10-15T18:00:00","guid":{"rendered":"https:\/\/kinocubecinema.com\/?p=1624"},"modified":"2024-12-11T10:19:34","modified_gmt":"2024-12-11T09:19:34","slug":"cronica-do-curso-no-camino-peliculas-de-estrada-vieiro-e-horizonte","status":"publish","type":"post","link":"https:\/\/kinocubecinema.com\/index.php\/2024\/10\/15\/cronica-do-curso-no-camino-peliculas-de-estrada-vieiro-e-horizonte\/","title":{"rendered":"Cr\u00f3nica do curso &#8220;No cami\u00f1o: pel\u00edculas de estrada, vieiro e horizonte&#8221;"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1624\" class=\"elementor elementor-1624\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ad766b4 e-flex e-con-boxed e-con e-parent\" data-id=\"ad766b4\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4e2cfc3 elementor-widget elementor-widget-text-editor\" data-id=\"4e2cfc3\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 10-04-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>O CGAC organiza todos os anos un curso de cinema da man de Jos\u00e9 Manuel L\u00f3pez, doutor en Comunicaci\u00f3n e profesor asociado na Universidade de Vigo. Nesta ocasi\u00f3n, o curso xira en torno ao concepto de viaxe ou cami\u00f1o e prop\u00f3n o an\u00e1lise de dez filmes, como di o subt\u00edtulo, de estrada, vieiro e horizonte.\u00a0<\/p><p>Non toda viaxe cinematogr\u00e1fica \u00e9 unha\u00a0<em>road movie\u00a0<\/em>e, por\u00e9n, como di a cineasta Kelly Reichardt, todos os filmes son\u00a0<em>road movies<\/em>. Polo menos, no senso no que nos presentan sempre un cami\u00f1o metaf\u00f3rico que percorren as personaxes dende o primeiro ao derradeiro acto. Non ser\u00e1 a derradeira vez que voltemos ao concepto do cami\u00f1o nesta bit\u00e1cora, pero desta vez imos en boa compa\u00f1a.\u00a0<\/p><p>Comentaremos brevemente os filmes analizados durante este curso ao longo dunha pequena cr\u00f3nica seriada. Collede o necesario e vide connosco!\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-2f17f90 e-flex e-con-boxed e-con e-parent\" data-id=\"2f17f90\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1d83ee8 elementor-widget elementor-widget-heading\" data-id=\"1d83ee8\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 10-04-2024 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h3 class=\"elementor-heading-title elementor-size-default\">The Wizard of Oz (Victor Fleming, 1939)<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-664f99a elementor-widget elementor-widget-image\" data-id=\"664f99a\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 10-04-2024 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.imdb.com\/title\/tt0032138\/\">\n\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"720\" height=\"520\" src=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/10\/vlcsnap-2024-10-09-12h15m15s397.png\" class=\"attachment-large size-large wp-image-1633\" alt=\"The Wizard of Oz\" srcset=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/10\/vlcsnap-2024-10-09-12h15m15s397.png 720w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/10\/vlcsnap-2024-10-09-12h15m15s397-300x217.png 300w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9f9520f elementor-widget elementor-widget-text-editor\" data-id=\"9f9520f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>O primeiro que destaca deste filme fant\u00e1stico \u00e9 o uso maxistral da t\u00e9cnica do Technicolor: o momento no que a realidade de Dorothy, en cor sepia, se abre ao colorido mundo de Oz, \u00e9 quizabes o momento m\u00e1is emocionante da pel\u00edcula.<\/p><p>Nesta dicotom\u00eda entre o mundo marabilloso de Oz e a Kansas real na que habita Dorothy est\u00e1 precisamente o eixo da pel\u00edcula, revelando o tel\u00f3n de fondo da Gran Depresi\u00f3n americana, o d\u00eda a d\u00eda nun momento no que non hai tempo para contos e f\u00e1bulas, onde \u00e9 necesario traballar a reo para sobrevivir.<\/p><p>Neste sentido, Dorothy repite: &#8220;Non se est\u00e1 como na casa&#8221;. E a\u00ed entra o debate: estamos ante unha peza de propaganda que tenta transmitir unha mensaxe de conformismo? Ou ante un manifesto a prol da fantas\u00eda das crianzas, comparable con <em>Peter Pan<\/em>, <em>\u5343\u3068\u5343\u5c0b\u306e\u795e\u96a0\u3057 <\/em>(<em>A viaxe de Chihiro<\/em> de Hayao Miyazaki) ou <em>Alicia no pa\u00eds das marabillas<\/em>.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-15ac6d5 e-flex e-con-boxed e-con e-parent\" data-id=\"15ac6d5\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9eef065 elementor-widget elementor-widget-heading\" data-id=\"9eef065\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">The Green Knight (David Lowery, 2021)<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c233029 elementor-widget elementor-widget-image\" data-id=\"c233029\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.imdb.com\/title\/tt9243804\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"800\" height=\"434\" src=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/10\/vlcsnap-2024-10-09-12h15m59s476-1024x555.png\" class=\"attachment-large size-large wp-image-1634\" alt=\"The Green Knight\" srcset=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/10\/vlcsnap-2024-10-09-12h15m59s476-1024x555.png 1024w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/10\/vlcsnap-2024-10-09-12h15m59s476-300x163.png 300w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/10\/vlcsnap-2024-10-09-12h15m59s476-768x416.png 768w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/10\/vlcsnap-2024-10-09-12h15m59s476-1536x832.png 1536w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/10\/vlcsnap-2024-10-09-12h15m59s476.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0023e4b elementor-widget elementor-widget-text-editor\" data-id=\"0023e4b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Sir Gawain, m\u00edtico cabaleiro da Mesa Redonda da lenda art\u00farica, bota a andar porque \u00e9 o que debe facer. Porque llo mandan. Cuestiona a mi\u00fado o lex\u00edtimo da s\u00faa misi\u00f3n, o seu sentido, como nos preguntamos n\u00f3s en ocasi\u00f3ns cal \u00e9 o sentido da nosa existencia.<\/p><p>Neste filme, o Cami\u00f1o do Heroe \u2013do Heroe das Mil Caras\u2013 \u00e9 terxiversado para convertirse no cami\u00f1o da vida, afondando na inevitabilidade da morte, a creaci\u00f3n das historias (que non son outra cousa que cami\u00f1os cunha sa\u00edda e unha meta) e a permanencia da nosa memoria a trav\u00e9s das nosas &#8220;faza\u00f1as&#8221; e as historias que se contan de n\u00f3s. Unha historia &#8220;de pantasmas&#8221;, de pantasmas como as que habitan nas sombras do cinema.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-90ff87f e-flex e-con-boxed e-con e-parent\" data-id=\"90ff87f\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d2f2705 elementor-widget elementor-widget-heading\" data-id=\"d2f2705\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">The Searchers (John Ford, 1956)<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a8f1e1d elementor-widget elementor-widget-image\" data-id=\"a8f1e1d\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.imdb.com\/title\/tt0049730\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"800\" height=\"451\" src=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/10\/vlcsnap-2024-10-09-12h17m03s882-1024x577.png\" class=\"attachment-large size-large wp-image-1635\" alt=\"The Searchers\" srcset=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/10\/vlcsnap-2024-10-09-12h17m03s882-1024x577.png 1024w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/10\/vlcsnap-2024-10-09-12h17m03s882-300x169.png 300w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/10\/vlcsnap-2024-10-09-12h17m03s882-768x432.png 768w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/10\/vlcsnap-2024-10-09-12h17m03s882-1536x865.png 1536w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/10\/vlcsnap-2024-10-09-12h17m03s882.png 1904w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8754d7f elementor-widget elementor-widget-text-editor\" data-id=\"8754d7f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>De seguro que v\u00edchedes algunha vez os seus impresionantes planos de apertura e de peche, pois xa temos falado da importancia dos <a href=\"https:\/\/kinocubecinema.com\/index.php\/2021\/08\/10\/o-marco-universal\/\">limiares no cinema<\/a>.\u00a0<\/p><p>Estamos ante unha pel\u00edcula moi malentendida, en tanto que se se le a sinopse parece a t\u00edpica historia colonialista e man\u00edquea do Western: un home bota a andar na procura da s\u00faa sobri\u00f1a, secuestrada polos Comanches. Mais John Ford non \u00eda quedar a\u00ed.<\/p><p>Na s\u00faa feitura, a mensaxe que ani\u00f1a \u00e9 a contraria: John Ford tece unha historia sobre racismo, intolerancia e sentimento de pertenza, na que un personaxe principal (Ethan Edwards, a mellor interpretaci\u00f3n de John Wayne) solitario, intolerante e profundamente racista se enfronta aos seus propios prexu\u00edzos nun cami\u00f1o co horizonte como meta.<\/p><p>\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>O CGAC organiza todos os anos un curso de cinema da man de Jos\u00e9 Manuel L\u00f3pez, doutor en Comunicaci\u00f3n e profesor asociado na Universidade de Vigo. Nesta ocasi\u00f3n, o curso xira en torno ao concepto de viaxe ou cami\u00f1o e prop\u00f3n o an\u00e1lise de dez filmes, como di o subt\u00edtulo, de estrada, vieiro e horizonte.\u00a0 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1636,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[189,286],"tags":[273,8,190,271,274,275],"class_list":["post-1624","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cronicas","category-no-camino-curso-cgac","tag-camino","tag-cinema","tag-cronica","tag-curso-de-cinema","tag-viaxe","tag-vieiro"],"_links":{"self":[{"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/posts\/1624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/comments?post=1624"}],"version-history":[{"count":29,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/posts\/1624\/revisions"}],"predecessor-version":[{"id":1677,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/posts\/1624\/revisions\/1677"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/media\/1636"}],"wp:attachment":[{"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/media?parent=1624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/categories?post=1624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/tags?post=1624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}