{"id":1124,"date":"2024-04-21T21:00:42","date_gmt":"2024-04-21T19:00:42","guid":{"rendered":"https:\/\/kinocubecinema.com\/?p=1124"},"modified":"2024-04-23T20:00:06","modified_gmt":"2024-04-23T18:00:06","slug":"o-ollo-e-a-maquina-iv-a-era-da-informacion","status":"publish","type":"post","link":"https:\/\/kinocubecinema.com\/index.php\/2024\/04\/21\/o-ollo-e-a-maquina-iv-a-era-da-informacion\/","title":{"rendered":"O ollo e a m\u00e1quina IV &#8211; A Era da informaci\u00f3n"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1124\" class=\"elementor elementor-1124\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-29429591 e-flex e-con-boxed e-con e-parent\" data-id=\"29429591\" data-element_type=\"container\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7de27a09 elementor-widget elementor-widget-text-editor\" data-id=\"7de27a09\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 10-04-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<!-- wp:paragraph -->\n<p><strong><em>Este artigo forma parte dunha serie que acompa\u00f1a ao ciclo de cinema O ollo e a m\u00e1quina, unha colaboraci\u00f3n entre CESGA, CGAC e Kinocube. Se queredes m\u00e1is informaci\u00f3n, <a href=\"https:\/\/kinocubecinema.com\/index.php\/2024\/03\/15\/o-ollo-e-a-maquina-ciclo-de-cinema\/\">est\u00e1 aqu\u00ed<\/a>.<\/em><\/strong><\/p>\n<p><em><strong>V\u00e9n da terceira entrega da serie: <a href=\"https:\/\/kinocubecinema.com\/index.php\/2024\/04\/15\/o-ollo-e-a-maquina-iii-a-era-espacial\/\">O ollo e a m\u00e1quina III &#8211; A Era espacial<\/a>.<\/strong><\/em><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p><strong>A\u00ednda que a invenci\u00f3n e popularizaci\u00f3n do transistor data de mediados do s\u00e9culo XX, definindo a partir dese momento o comezo da Era da Informaci\u00f3n, neste caso refer\u00edmonos a unha \u00e9poca caracterizada pola popularizaci\u00f3n e democratizaci\u00f3n de tecnolox\u00edas da comunicaci\u00f3n, da computaci\u00f3n e dixitais de maneira global, contribu\u00edndo \u00e1 difusi\u00f3n masiva dos medios de comunicaci\u00f3n.<\/strong><\/p>\n<!-- \/wp:paragraph -->\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6038930 elementor-widget elementor-widget-text-editor\" data-id=\"6038930\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Despois dunha era de grande experimentaci\u00f3n e novas olas pol\u00edticas e art\u00edsticas, na que primaba o esp\u00edrito cr\u00edtico contra a Guerra Fr\u00eda \u2014sobre todo o rexeitamento da participaci\u00f3n americana na Guerra de Vietnam\u2014, os anos 80 irrompen no mundo occidental abandeirando un conservadurismo extremo, personalizado en l\u00edderes pol\u00edticos reaccionarios como <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Ronald_Reagan\">Ronald Reagan<\/a> nos Estados Unidos e <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Margaret_Thatcher\">Margaret Thatcher<\/a> no Reino Unido. \u00c9 un retorno aos valores da Era at\u00f3mica, ao patriotismo exacerbado e \u00e1 familia tradicional nuclear, con consecuencias fatais para a sociedade como a<a href=\"https:\/\/gl.wikipedia.org\/wiki\/Sida#Historia\"> crise do SIDA<\/a>, cando as autoridades lle deron as costas a unha parte vulnerable da poboaci\u00f3n que foi discriminada pola s\u00faa condici\u00f3n identitaria e sexual. Milleiros de persoas morreron en consecuencia, e outras tantas viviron as s\u00faas vidas marcadas polo estigma e a marxinalizaci\u00f3n social.\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f7c6a14 elementor-widget elementor-widget-text-editor\" data-id=\"f7c6a14\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Os computadores van entrando nos fogares, nun proceso que comeza coa presentaci\u00f3n do <a href=\"https:\/\/es.wikipedia.org\/wiki\/IBM_610\">IBM 610<\/a> e outros precedentes do ordenador persoal e culmina coa aparici\u00f3n e popularizaci\u00f3n do <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Tel%C3%A9fono_intelixente\"><em>smartphone<\/em> a partir de 2007<\/a>. \u00c9 tam\u00e9n a \u00e9poca na que <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Internet#Historia\">ARPANET<\/a>, o antecedente de Internet tal e como co\u00f1ecemos, albisca un futuro no que todas as persoas e os dispositivos <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Teor%C3%ADa_de_sistemas\">estar\u00e1n conectados entre si de maneira global<\/a>. Apple, Microsoft e IBM embarcaranse nunha loita comercial para ofrecer \u00e1 xente os seus avances tecnol\u00f3xicos. \u00c9 tam\u00e9n a Idade de Ouro dos <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Videoxogo\">videoxogos<\/a>, das m\u00e1quinas recreativas e das consolas para o fogar, de Nintendo, Sega e Atari, dos &#8220;marciani\u00f1os&#8221;, de Pac-Man e do Tetris.<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph --><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-58ba820 elementor-widget elementor-widget-image\" data-id=\"58ba820\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 10-04-2024 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"800\" height=\"600\" src=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/04\/Game_On__at_Pacific_Science_Center_5559659293.jpg\" class=\"attachment-large size-large wp-image-1379\" alt=\"InSapphoWeTrust from Los Angeles, California, USA, CC BY-SA 2.0 , via Wikimedia Commons\" srcset=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/04\/Game_On__at_Pacific_Science_Center_5559659293.jpg 1000w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/04\/Game_On__at_Pacific_Science_Center_5559659293-300x225.jpg 300w, https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/04\/Game_On__at_Pacific_Science_Center_5559659293-768x576.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">InSapphoWeTrust from Los Angeles, California, USA, CC BY-SA 2.0 , via Wikimedia Commons<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-aedaf58 elementor-widget elementor-widget-text-editor\" data-id=\"aedaf58\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>O consumismo vive o seu mellor momento, a pesares de crises econ\u00f3micas como a do petr\u00f3leo na d\u00e9cada anterior, e comeza a configurarse o mapa de multinacionais e corporaci\u00f3ns que progresivamente ir\u00e1n ga\u00f1ando poder econ\u00f3mico, pol\u00edtico e social, entre elas os grandes xigantes tecnol\u00f3xicos dos EUA e de Xap\u00f3n. <a href=\"https:\/\/en.wikipedia.org\/wiki\/Business_magnate\"><em>Tycoons<\/em> <\/a>e <a href=\"https:\/\/en.wikipedia.org\/wiki\/Yuppie\"><em>yuppies<\/em> <\/a>marcan as tendencias e as aspiraci\u00f3ns na escala social e o movemento obreiro e sindical atopa trabas para continuar a s\u00faa loita social.<\/p>\n<p>O consumismo promove o nacente fen\u00f3meno do <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Blockbuster\"><em>blockbuster<\/em><\/a>. O cinema mainstream vive un momento de esplendor, tanto de popularidade como de retorno econ\u00f3mico, grazas a superproduci\u00f3ns con grandes inversi\u00f3ns na factura, no\u00a0<em>star system,\u00a0<\/em>nos efectos especiais e no\u00a0<em>marketing.\u00a0<\/em>As sagas de <a href=\"https:\/\/gl.wikipedia.org\/wiki\/A_guerra_das_galaxias\">Star Wars<\/a>, <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Back_to_the_Future\">Back to the Future<\/a>, <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Die_Hard\">Die Hard<\/a> ou <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Na_busca_da_arca_perdida\">Indiana Jones<\/a>, os filmes<a href=\"https:\/\/www.imdb.com\/title\/tt0073195\/\"> Jaws (Steven Spielberg, 1975)<\/a>, <a href=\"https:\/\/www.imdb.com\/title\/tt0087363\/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_Gremlims\">Gremlims (Joe Dante, 1984)<\/a>, <a href=\"https:\/\/www.imdb.com\/title\/tt0083866\/?ref_=nv_sr_srsg_8_tt_3_nm_5_q_e%2520t\">E.T. the Extra-Terrestrial (Steven Spielberg, 1982)<\/a>, <a href=\"https:\/\/www.imdb.com\/title\/tt0087332\/?ref_=nv_sr_srsg_6_tt_8_nm_0_q_ghostbu\">Ghostbusters (Ivan Reitman, 1984)<\/a>, <a href=\"https:\/\/www.imdb.com\/title\/tt0092890\/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_dirty%2520dancing\">Dirty Dancing (Emile Ardolino, 1987)<\/a>, <a href=\"https:\/\/www.imdb.com\/title\/tt0087538\/?ref_=fn_al_tt_1\">The Karate Kid (John G. Avildsen, 1984)<\/a> e practicamente todos os filmes de x\u00e9nero <em>slasher <\/em>da d\u00e9cada foron exemplos de <em>blockbuster<\/em> dese\u00f1ados para sacar o m\u00e1ximo rendemento \u00e1 recadaci\u00f3n das billeteiras.\u00a0<\/p>\n<p>\u00c9 curioso que unha grande parte dos\u00a0<em>blockbusters<\/em> dos anos 80 pertenceran dunha maneira ou doutra ao x\u00e9nero da ciencia ficci\u00f3n ou da fantas\u00eda. Coas novas tecnolox\u00edas de imaxes xeradas por computador, ademais dos avances nas t\u00e9cnicas de efectos especiais e animaci\u00f3n, fac\u00edase moi atractivo para o p\u00fablico acudir \u00e1s salas a ver algo &#8220;m\u00e1is grande que a vida&#8221;, m\u00e1is brillante, m\u00e1is din\u00e1mico, m\u00e1is efectista. As persoas que fac\u00edan cinema na d\u00e9cada de 1980, ademais, tra\u00edan influenzas af\u00edns a estes x\u00e9neros, dende o cinema e os seriais da\u00a0<em>sci-fi<\/em> at\u00f3mica dos anos 50 at\u00e9 os x\u00e9neros do cinema fant\u00e1stico e <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Anime\"><em>anime<\/em><\/a> xapon\u00e9s, cos seus <a href=\"https:\/\/es.wikipedia.org\/wiki\/Kaij%C5%AB\"><em>Kaij\u016b<\/em> <\/a>e os seus <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Mecha_(robot)\"><em>mechas<\/em><\/a>, que comezaba a ser co\u00f1ecido tam\u00e9n en occidente. Por suposto, tam\u00e9n se pode mencionar como referencias do cinema da \u00e9poca \u00e1s revistas de relatos e banda dese\u00f1ada de ciencia ficci\u00f3n e fantas\u00eda, como a francesa <em><a href=\"https:\/\/es.wikipedia.org\/wiki\/M%C3%A9tal_hurlant\">M\u00e9tal Hurlant<\/a> <\/em>onde podiamos atopar ao co\u00f1ecido debuxante <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Moebius\">Jean Giraud &#8220;Moebius&#8221;<\/a>, e os nacentes xogos de rol como o <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Dungeons_%26_Dragons\">Dungeons and Dragons<\/a>.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f64e76f elementor-widget elementor-widget-gallery\" data-id=\"f64e76f\" data-element_type=\"widget\" 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.elementor-gallery__item-overlay-content__title{opacity:1}a.elementor-item.elementor-gallery-title{color:var(--galleries-title-color-normal)}a.elementor-item.elementor-gallery-title.elementor-item-active,a.elementor-item.elementor-gallery-title.highlighted,a.elementor-item.elementor-gallery-title:focus,a.elementor-item.elementor-gallery-title:hover{color:var(--galleries-title-color-hover)}a.elementor-item.elementor-gallery-title.elementor-item-active{color:var(--gallery-title-color-active)}.e-con-inner>.elementor-widget-gallery,.e-con>.elementor-widget-gallery{width:var(--container-widget-width);--flex-grow:var(--container-widget-flex-grow)}<\/style>\t\t<div class=\"elementor-gallery__container\">\n\t\t\t\t\t\t\t<div class=\"e-gallery-item elementor-gallery-item elementor-animated-content\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/04\/AKIRA_1988_poster-212x300.jpg\" data-width=\"212\" data-height=\"300\" aria-label=\"Poster de Akira (1988)\" role=\"img\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__overlay\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__description\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tPoster de Akira (1988)\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"e-gallery-item elementor-gallery-item elementor-animated-content\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/04\/Gojira_1954_Japanese_poster-214x300.jpg\" data-width=\"214\" data-height=\"300\" aria-label=\"Poster de Gojira (1954)\" role=\"img\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__overlay\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__description\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tPoster de Gojira (1954)\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"e-gallery-item elementor-gallery-item elementor-animated-content\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/04\/METAL-HURLANT-FIRST-ISSUE-223x300.webp\" data-width=\"223\" data-height=\"300\" aria-label=\"Portada de Metal Hurlant (1975)\" role=\"img\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__overlay\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__content\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__description\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tPortada de Metal Hurlant (1975)\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b339708 elementor-widget elementor-widget-text-editor\" data-id=\"b339708\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>A tecnolox\u00eda est\u00e1 m\u00e1is presente ca nunca en todos os aspectos da vida coti\u00e1 e no ambiente ap\u00e1lpase unha certa tensi\u00f3n entre a <em>tecnonofilia<\/em> e a <em>tecnofobia. <\/em>Na pantalla vemos a mi\u00fado reflectidos os medos da perda da identidade en forma de humanoides, avatares e dobres tecnol\u00f3xicos, de sociedades futuristas homoxeneizadores nas que se reprimen as emoci\u00f3ns e deixa de existir a identidade individual, ou de abduci\u00f3ns de persoas por parte de mundos virtuais, \u201cabsorbidos\u201d involuntariamente polas pantallas.<\/p>\n<p>A isto contrib\u00fae tam\u00e9n a noci\u00f3n, que xorde por primeira vez neste estad\u00edo do progreso tecnol\u00f3xico, da posible existencia dun plano &#8220;virtual&#8221; diferente ao noso, un plano &#8220;dixital&#8221; onde ocorren as cousas que logo se ven reflectidas nas pantallas dos computadores. Moitas persoas usuarias de videoxogos fantasearon algunha vez coa posibilidade da inmersi\u00f3n completa no\u00a0<a href=\"https:\/\/www.xataka.com\/basics\/que-metaverso-que-posibilidades-ofrece-cuando-sera-real\"><em>metaverso<\/em> <\/a>\u2014a\u00ednda que este termo \u00e9 moi recente, daquela ser\u00eda m\u00e1is ben o <em><a href=\"https:\/\/es.wikipedia.org\/wiki\/Ciberespacio\">ciberespazo<\/a>\u2014<\/em> que permitir\u00eda a interactividade total coa entorna imaxinaria. Todo un so\u00f1o!<\/p>\n<p>Tam\u00e9n \u00e9 clave a desconfianza crecente cara o consumismo, que adoita estar presente nos futuros dist\u00f3picos do cinema como factor contribu\u00ednte \u00e1 decadencia da sociedade; e mais a ecolox\u00eda, que toma forza de maneira gradual en forma de conciencia de que o avance tecnol\u00f3xico sen l\u00edmite pode constitu\u00edr unha ameaza para a vida.<\/p>\n<p>Xa que introducimos o termo\u00a0<em>ciberespazo<\/em>, creo que vai sendo hora de falar do\u00a0<a href=\"https:\/\/es.wikipedia.org\/wiki\/Ciberpunk\"><em>cyberpunk<\/em><\/a>. Este subx\u00e9nero da ciencia ficci\u00f3n explora directamente a relaci\u00f3n entre a persoa e a tecnolox\u00eda, entre o anal\u00f3xico e o dixital, entre o individuo e un sistema altamente tecnol\u00f3xico e consumista. Hai unha boa cullerada de cr\u00edtica \u00e1 sociedade capitalista que se autofagocita e tende cara a desigualdade social e a destruci\u00f3n dos recursos naturais, que se materializa en distop\u00edas nas que a humanidade se enfronta \u00e1 superpoboaci\u00f3n, malvivindo en macrocidades que distan moito da visi\u00f3n optimista e ideal da cidade automatizada dos anos 50, e ach\u00e9gase moito m\u00e1is \u00e1 Metr\u00f3pole da Era da m\u00e1quina. Mais en moitos outros casos, o obxectivo da parodia \u00e9 o modelo do bloque sovi\u00e9tico ou a imaxe que Hollywood ti\u00f1a del, da homoxeneizaci\u00f3n, da censura e da persecuci\u00f3n das ideas diferentes. O protagonista adoita ser un antiheroe, un supervivente, quizabes un cazarrecompensas nun mundo violento e hostil, quizabes un xenio <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Hacker\"><em>hacker<\/em> <\/a>capaz de tumbar o sistema burocr\u00e1tico cunha secuencia de comandos. En moitos casos, representar\u00e1 a loita pola &#8220;liberdade&#8221; \u00e1 maneira dos EUA; noutros, a acci\u00f3n do antiheroe non ser\u00e1 abonda para superar ao sistema e o filme poder\u00e1 ter unha conclusi\u00f3n m\u00e1is pesimista e ir\u00f3nica.<\/p>\n<p>No\u00a0<em>cyberpunk,\u00a0<\/em>as megacorporaci\u00f3ns capitalistas adoitan representar o papel do vil\u00e1n, materializado nun CEO, multimillonario ou director executivo que pode estar m\u00e1is ou menos baseado na figura de <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Walt_Disney\">Walt Disney<\/a>, pero habitualmente conta con caracter\u00edsticas com\u00fans: poucos ou ning\u00fan escr\u00fapulo, unha ambici\u00f3n desmedida e unha soberbia tal que se pode convertir no seu punto d\u00e9bil, chegado o caso.<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph --><\/p>\n<p>O universo virtual predomina na narrativa e na est\u00e9tica: a computaci\u00f3n, os n\u00fameros sobre a pantalla, os <em>hackers<\/em>, os p\u00edxeles, o ne\u00f3n e a xeometr\u00eda; mais \u00e9 unha construci\u00f3n m\u00e1is, afastada da realidade e preto do <em>clich\u00e9, <\/em>que aproveita desco\u00f1ecemento xeralizado que as persoas de a p\u00e9 te\u00f1en do mundo inform\u00e1tico.\u00a0<\/p>\n<p>Falemos de <a href=\"https:\/\/www.imdb.com\/title\/tt0084827\/\">Tron (Steven Lisberger, 1983)<\/a>. O filme segue as aventuras dun\u00a0<em>hacker<\/em> enxe\u00f1oso e carism\u00e1tico, un <em>bright young software engineer\u00a0<\/em>traizoado pola megacorporaci\u00f3n onde traballa que pasa os d\u00edas xogando \u00e1s recreativas e tentando sabotear \u00e1 s\u00faa ex-empresa para recuperar os m\u00e9ritos que lle negaron. Flynn, o noso protagonista, verase na oportunidade de entrar no interior do sistema inform\u00e1tico da corporaci\u00f3n para salvar a todo o mundo dunha intelixencia artificial malvada \u2014isto p\u00f3denos soar <a href=\"https:\/\/kinocubecinema.com\/index.php\/2024\/04\/15\/o-ollo-e-a-maquina-iii-a-era-espacial\/\">doutras entregas desta serie\u2014<\/a>, o Master Control Program, que presume de ter superado ao ser humano que o creou; e, de paso, recuperar a s\u00faa propia reputaci\u00f3n.\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d67826a elementor-widget elementor-widget-gallery\" data-id=\"d67826a\" data-element_type=\"widget\" data-settings=\"{&quot;columns&quot;:2,&quot;lazyload&quot;:&quot;yes&quot;,&quot;gallery_layout&quot;:&quot;grid&quot;,&quot;columns_tablet&quot;:2,&quot;columns_mobile&quot;:1,&quot;gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;aspect_ratio&quot;:&quot;3:2&quot;,&quot;content_hover_animation&quot;:&quot;fade-in&quot;}\" data-widget_type=\"gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-gallery__container\">\n\t\t\t\t\t\t\t<div class=\"e-gallery-item elementor-gallery-item elementor-animated-content\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/04\/vlcsnap-2024-04-21-21h00m17s508-300x136.png\" data-width=\"300\" data-height=\"136\" aria-label=\"\" role=\"img\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"e-gallery-item elementor-gallery-item elementor-animated-content\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/04\/vlcsnap-2024-04-21-21h00m27s653-300x136.png\" data-width=\"300\" data-height=\"136\" aria-label=\"\" role=\"img\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"e-gallery-item elementor-gallery-item elementor-animated-content\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/04\/vlcsnap-2024-04-21-21h00m41s155-300x136.png\" data-width=\"300\" data-height=\"136\" aria-label=\"\" role=\"img\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"e-gallery-item elementor-gallery-item elementor-animated-content\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/04\/vlcsnap-2024-04-21-21h01m06s788-300x136.png\" data-width=\"300\" data-height=\"136\" aria-label=\"\" role=\"img\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-04dfd51 elementor-widget elementor-widget-text-editor\" data-id=\"04dfd51\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align); background-color: var( --e-global-color-secondary ); font-size: 1rem;\">Por\u00e9n, cando dixemos\u00a0<\/span><em style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align); background-color: var( --e-global-color-secondary ); font-size: 1rem;\">entrar no interior do sistema<\/em><span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align); background-color: var( --e-global-color-secondary ); font-size: 1rem;\">, non nos referimos a que forzase a seguridade do sistema <\/span><em style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align); background-color: var( --e-global-color-secondary ); font-size: 1rem;\">hackeando<\/em><span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align); background-color: var( --e-global-color-secondary ); font-size: 1rem;\"> a rede nin nada as\u00ed. Falamos de que literalmente, Flynn \u00e9 &#8220;absorbido&#8221; por un l\u00e1ser que o &#8220;dixitaliza&#8221; e o introduce no interior dunha cidade virtual na que os programas te\u00f1en rostro de persoa e un sistema relixioso oprimido polo MCP \u2014a intelixencia artificial malvada\u2014 baseado na crenza dos <\/span><em style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align); background-color: var( --e-global-color-secondary ); font-size: 1rem;\">users<\/em><span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align); background-color: var( --e-global-color-secondary ); font-size: 1rem;\">, as persoas reais que os programaron, as s\u00faas creadoras. \u00c9 interesante facer unha anotaci\u00f3n neste punto pois, na \u00e9poca, o habitual \u00e9 que os programas s\u00f3 tivesen unha persoa autora detr\u00e1s, que programaba as funci\u00f3ns das que precisaba ser &#8220;usuaria&#8221;. No momento non imaxinaron que pouco despois os programas comezar\u00edan a facerse de maneira externa, que precisar\u00edan m\u00e1is de unha persoa encargada da programaci\u00f3n, pola s\u00faa crecente complexidade, e que na maior\u00eda dos casos as persoas &#8220;usuarias&#8221; ser\u00edan consumidoras do produto final sen ning\u00fan tipo de intervenci\u00f3n na creaci\u00f3n do <\/span><em style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align); background-color: var( --e-global-color-secondary ); font-size: 1rem;\">software<\/em><span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align); background-color: var( --e-global-color-secondary ); font-size: 1rem;\"> inform\u00e1tico.<\/span><\/p>\n<p>O dese\u00f1o de produci\u00f3n pode resultar, dende a perspectiva actual, tan interesante como caduco. Por unha banda, a est\u00e9tica case <em>vaporwave<\/em> de cores saturadas e formas xeom\u00e9tricas en\u00a0<em><a href=\"https:\/\/www.google.com\/search?sca_esv=28c14849af2072be&amp;sxsrf=ACQVn08S8_zLvEKub6BiezVGNvZ19pwd9A:1713725885919&amp;q=low+poly+3d+vaporwave&amp;uds=AMwkrPv3j3EkEIkbFS2D5_BLUQ3_mhFBHDdPVFbKa_iCl9_ZONGCADUcaKfB87x2oHKUFY-XXGFLCTMG0eeViO-AKy8Z9eVTRyByJgZz3JLM23VenNXVAQRV2zBG442NnPK2Zte02oja4aLYo1J_WHTlm9jZenwLyQ3ba88H5XOGHyMFR3-UIgcZX7fkcO7XWmh3YSY3czvYYMw345fisZG5rY7DG65Jh5xxHdxFSF-v2f5Z2pYW_I_UBC0vqF-hh8jRHGtnekr3TzawLRUbyVH-D6fdQ6ydia4A_n-OhKA_JvJjIonXV8c&amp;udm=2&amp;prmd=ivsnbmtz&amp;sa=X&amp;ved=2ahUKEwiwmrC1_tOFAxUOU6QEHTEfA4IQtKgLegQIChAB&amp;biw=2195&amp;bih=1074&amp;dpr=1.75\">low poly 3D<\/a>,\u00a0<\/em>misturadas co misticismo <em>sci-fi<\/em> de Moebius \u2014o debuxande de Banda Dese\u00f1ada, que contribu\u00edu no dese\u00f1o do filme\u2014 fano unha obra moi particular e incluso atractiva; por\u00e9n, pola outra banda, moitas das decisi\u00f3ns de ambientaci\u00f3n e est\u00e9tica foron superadas pola tecnolox\u00eda en moi pouco tempo, quedando desfasadas con moita facilidade. Tron tomou como base narrativa e est\u00e9tica sobre todo o nacente mundo dos videoxogos, mais tam\u00e9n tomou como referencia fitos tecnol\u00f3xicos recentes como a aplicaci\u00f3n do <a href=\"https:\/\/gl.wikipedia.org\/wiki\/L%C3%A1ser\">l\u00e1ser \u00f3ptico<\/a> \u00e1 electr\u00f3nica \u2014da que resultaron, por exemplo, os <a href=\"https:\/\/gl.wikipedia.org\/wiki\/Disco_compacto\">CDs\u2014<\/a>\u00a0d\u00e1ndolle ao l\u00e1ser a capacidade de todo tipo de tarefas, dende a lectura e transmisi\u00f3n de informaci\u00f3n at\u00e9 a teletransportaci\u00f3n ou dixitalizaci\u00f3n de materia real cara o mundo virtual.\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4535454 elementor-widget elementor-widget-gallery\" data-id=\"4535454\" data-element_type=\"widget\" data-settings=\"{&quot;columns&quot;:2,&quot;lazyload&quot;:&quot;yes&quot;,&quot;gallery_layout&quot;:&quot;grid&quot;,&quot;columns_tablet&quot;:2,&quot;columns_mobile&quot;:1,&quot;gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;aspect_ratio&quot;:&quot;3:2&quot;,&quot;content_hover_animation&quot;:&quot;fade-in&quot;}\" data-widget_type=\"gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-gallery__container\">\n\t\t\t\t\t\t\t<div class=\"e-gallery-item elementor-gallery-item elementor-animated-content\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/04\/vlcsnap-2024-04-02-20h06m34s621-300x136.png\" data-width=\"300\" data-height=\"136\" aria-label=\"\" role=\"img\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"e-gallery-item elementor-gallery-item elementor-animated-content\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/04\/vlcsnap-2024-04-17-10h59m38s471-300x136.png\" data-width=\"300\" data-height=\"136\" aria-label=\"\" role=\"img\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"e-gallery-item elementor-gallery-item elementor-animated-content\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/04\/vlcsnap-2024-02-21-16h35m29s987-300x136.png\" data-width=\"300\" data-height=\"136\" aria-label=\"\" role=\"img\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"e-gallery-item elementor-gallery-item elementor-animated-content\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/kinocubecinema.com\/wp-content\/uploads\/2024\/04\/vlcsnap-2024-04-17-11h00m21s037-300x136.png\" data-width=\"300\" data-height=\"136\" aria-label=\"\" role=\"img\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6e3117a elementor-widget elementor-widget-text-editor\" data-id=\"6e3117a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Pouco despois da estrea deste filme, os primeiros sistemas operativos baseados en interfaces gr\u00e1ficas foron populariz\u00e1ndose, substitu\u00edndo a imaxe da interfaz textual \u2014as letri\u00f1as brancas sobre pantalla negra\u2014 que vemos no filme, e apareceron elementos que hoxe consideramos parte inseparable dun computador, como o rato. Por\u00e9n, \u00e9 innegable o legado deste filme, que co tempo ga\u00f1ou popularidade entre alg\u00fans c\u00edrculos levados pola s\u00faa est\u00e9tica \u00fanica ou simplemente por morri\u00f1a dun tempo, o da nacente Era da informaci\u00f3n, que comezaba a notar a vertixe dun progreso tecnol\u00f3xico cada vez m\u00e1is r\u00e1pido. Cara onde nos levar\u00e1? Descubr\u00eddeo con n\u00f3s no seguinte artigo:<a href=\"https:\/\/kinocubecinema.com\/index.php\/2024\/04\/23\/o-ollo-e-a-maquina-v-a-era-cuantica\/\"> a Era cu\u00e1ntica.\u00a0<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Este artigo forma parte dunha serie que acompa\u00f1a ao ciclo de cinema O ollo e a m\u00e1quina, unha colaboraci\u00f3n entre CESGA, CGAC e Kinocube. Se queredes m\u00e1is informaci\u00f3n, est\u00e1 aqu\u00ed. V\u00e9n da terceira entrega da serie: O ollo e a m\u00e1quina III &#8211; A Era espacial. A\u00ednda que a invenci\u00f3n e popularizaci\u00f3n do transistor data [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1356,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,246],"tags":[252,247,253,251,245,250,78],"class_list":["post-1124","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-episodios","category-o-ollo-e-a-maquina","tag-arte-e-ciencia","tag-ciencia-ficcion","tag-computadores","tag-futurismo","tag-o-ollo-e-a-maquina","tag-robots","tag-tecnoloxia"],"_links":{"self":[{"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/posts\/1124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/comments?post=1124"}],"version-history":[{"count":82,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/posts\/1124\/revisions"}],"predecessor-version":[{"id":1477,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/posts\/1124\/revisions\/1477"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/media\/1356"}],"wp:attachment":[{"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/media?parent=1124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/categories?post=1124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kinocubecinema.com\/index.php\/wp-json\/wp\/v2\/tags?post=1124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}